Revenge, Miracles & True Love: “The Princess Bride” Movie Rewatch

Revenge, Miracles & True Love: “The Princess Bride” Movie Rewatch

“Hello. My name is Inigo Montoya. You killed my father. Prepare to die.”

– Mandy Patinkin (Inigo Montoya) in The Princess Bride

While living in Honolulu in 2012, the Consolidated Theaters in Ward Entertainment Center hosted a Throwback Thursday event where they showcased a classic film each Thursday night. One week was Jaws, and another was Pulp Fiction, and so on. As you might imagine, I was curious which film they would show next. An opportunity to see a movie in the theater I never had the chance to see when it originally premiered was an opportunity I welcomed. Every month, the theater unveiled its schedule for each Throwback Thursday, but I was rarely motivated by the selections. It’s not that those they showcased didn’t deserve the “throwback attention.” Of course, each film did!

Several months into the event, the theater announced a movie I was eager to see. The scheduled film included themes of true love, inconceivable moments, fire swamps, miracles, pirates, and revenge. The Princess Bride is one of my all-time favorite films. Sure, I have spoken of nostalgic films and use these terms liberally, but while countless movies have provided me joy, there is no film like The Princess Bride. But it premiered when I was too young, so I never saw it in a theater, only on VHS. When I asked my wife if she would join me to see The Princess Bride, she said, “sure, I have never seen it anyhow.”

In shock I quickly bought tickets and remedied one of the biggest surprises of our relationship. My wife had never seen The Princess Bride. Somehow, I had missed this terrible truth. At the beautiful theater in Honolulu, I finally watched a beloved film on a screen far larger than my family’s television of 19 inches in the early ‘90s. So, let me rewind the VHS, press start over on my Disney+ account, and scan your ticket to a conversation about a movie that made masks cool, rotten miracles acceptable, and other narrated films bend the knee. We are “stormin’ da” castle… The Princess Bride.

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“The Raid: Redemption” Epic Movie Rewatch w/ Jeff

“The Raid: Redemption” Epic Movie Rewatch w/ Jeff

“Okay, listen up. Our target is Tama Riyadi. I’m sure most of you know who I’m talking about. This man has become something of a legend in the underworld… I don’t care how big he is or who is behind him, he must be stopped. That enterprising f**k’s been renting out rooms like it’s an apartment, to any low-life piece of sh*t looking to keep his head down. Our mission is simple: we go in, and we take him out!”

– Joe Taslim (Jaka) in The Raid: Redemption (2011)

Today I am posting about a recent movie rewind with my brother Jeff. A rewatch of one of, if not the best, action films I have ever watched; The Raid: Redemption. It’s funny; in 2014, my brother called me and told me he had a movie for me to watch. It was a foreign language film from Indonesia, and he explained the premise of the film thoroughly and succinctly. It sounded good, but I decided to hold off on watching it. In the summer of 2017, I finally sat down and watched it. Oh my, I was both amazed, transfixed, and shocked by the viewing experience. The movie was fantastic. I quickly called my brother, provided my deepest apologies for not watching it sooner, and owned the fact that my older brother was, in the end, correct about suggesting this film.

A few years after my first viewing, and leaning into the weekly movie chats my brother and I have engaged in since the pandemic’s start, I asked Jeff to do The Raid rewatch. He, of course, said yes. As I am sure you are well aware, I do not do standard film reviews. I do, however, like to reflect on specific films or genres of film or some aspects of the cinematic experience. I often discuss those films with a story, an event that initiates a need or wish, to explore those films again. I welcome any opportunity to relive or recall a specific film’s viewing experience. I did that with Trollhunter in October and Anna and the Apocalypse in December. Today, I do that with The Raid: Redemption. As film critic Chase Whale said, “My only complaint about The Raid is that it ended.”

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It’s a Soundtrack Way of Life with Nostalgic Movie Songs on My Mind

It’s a Soundtrack Way of Life with Nostalgic Movie Songs on My Mind

“To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.”

– Quentin Tarantino

A couple of months ago, I wrote about my affinity for original music scores. How the music shapes and molds the images you see is unbelievable. Still, the film score is solely one component of what makes up my favorite parts of the cinematic experience. Therefore, I thought why not venture back to the world of movie music, but this time focus on my most nostalgic movie songs. Many of my posts play around in the sandbox of nostalgia. I am a historian; after all, it’s where I feel most comfortable. But, what do I mean by movie music? Well, I am referring to those songs that immediately produce an incredible nostalgic feeling when I hear them on the radio, television, or film. When I hear the song, I grow still, the world around me becomes silent, and all I picture is where I remember it.

As a professor, one of my favorite traditions is to play “Back to School” at the start of the semester. Like those athletes you see getting off the team bus, headphones on, and walking into the stadium, I play this as I drive to class on day one. It’s smooth vocals and slow beat, quickly picking up tempo and ferocity in a fabulous 80s fashion. The song always has the power to pump me up, like a wrestler making their way to the ring with entrance music playing. Written by Richard Wolf and Mark Leonard and Jude Cole’s vocals, this anthem of the 1986 comedy film Back to School is heart-pumping fantastic. Sure, the movie, starring Rodney Dangerfield, is over the top, aged poorly at multiple points, but is in line with other 80s era films. The song always makes me laugh as I think back to watching it with my brother Jeff. I reflect on the film’s fun absurdity, and all the times I reenacted Sam Kinison’s cinematic moment when he yells “say it” and goes ballistic in the classroom. That is the power of a nostalgic film song.

As you can imagine the task of selecting nostalgic movie songs may sound like an impossible task. I have watched thousands of films, and most movies have several connected songs. No matter, it seemed a fun, worthwhile, and musically inclined venture. To find my most nostalgic songs, I focused on my most nostalgic movies, which I discussed in an earlier blog post, Cinematic Nostalgia: Traveling 88 mph to the 1980s. By focusing on those movies first, I could find those songs that inherently illustrate my love of cinema on a cellular level. But starting with those films does not mean it is where I will remain as I discover songs that strike the most nostalgic key. With that said, let’s dive back into cinematic music, but rather than listening to the original score, let’s put the cassette in the stereo, press play, skip over the instrumental and find the melody that brings all the memories flooding back.

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“Oceans Rise, Empires Fall”: Cinematic Historical Drama & “The Good Lord Bird”

“Oceans Rise, Empires Fall”: Cinematic Historical Drama & “The Good Lord Bird”

“Let me tell you what I wish I’d known/ When I was young and dreamed of glory/ You have no control/ Who lives? Who dies? Who tells your story?”

– Chris Jackson (George Washington) in Hamilton

When I started this blog, I wrote that I would not attempt to make these posts a history lesson. I love history, being a historian, and talking about history. While teaching American history is my profession and passion, I want this blog to mix that with all the other topics I appreciate. Still, there are times, like today, when I use my knowledge of history, not to teach a lesson but to shine attention on my addiction to movies and television. Allow me, as I put on my historian hat, which I like to imagine resembles the one worn by Denzel Washington in Glory or Daveed Diggs in The Good Lord Bird, and discuss my emotional reaction to cinematic historical drama.

During times like these, when history seems distant, distorted, and dismissed, I often look to cinema to help remind me of what inspires me. History has always been something that interested me. The other day, I watched Hamilton for the first time and felt emotions that I had not felt since the pandemic began. Teaching using ZOOM has left me disappointed, even while recognizing this format’s necessity and how lucky I am to do what I love. But, while I understand those facts, I have felt empty. Watching the filmed performance of the epic Broadway play on Disney + helped remind me, even if slightly, of my love of history. I believe that cinema can offer a powerful emotional trigger that can bring history into the present. So, join me as I reconsider this viewing experience alongside some of the best cinematic moments, for me, that repeatedly stirs up my passion for history.

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What a Difference a Year Makes: New Year’s Eve 2019 & a “Musical Reckoning” about Moby Dick

What a Difference a Year Makes: New Year’s Eve 2019 & a “Musical Reckoning” about Moby Dick

“There’s only now, there’s only here
Give in to love or live in fear
No other path, No other way
No day but today”

– “No Day But Today” – Vocals by Idina Menzel and Lyrics by Jonathan D. Larson

One year ago, for New Year’s Eve, my wife and I drove into Cambridge, MA, for a live performance of Moby-Dick, A Musical Reckoning at the American Repertory Theater. We had bought these tickets a couple of months before, mainly because on the one hand we wanted to see more live performances in the new year and, on the other hand, I love everything related to Herman Melville’s Moby-Dick. It was a fantastic night, and the play was brilliant, unique, and the songs were memorable. What we didn’t expect was that this performance would be our last live event of the year. With the pandemic shuttering the doors of Broadway theaters and theaters around the country, we had that previous event as a powerful reminder of the things we lost out on in 2020.

Today’s post is my 30th since mid-July, which was when I started this blog. Next week, my post will explore a travel adventure in Central America, so this week, and since tomorrow is New Year’s Eve, I decided to reflect on that Moby-Dick musical and think back to those times I took in a play either on Broadway or closer to home. Each live theater experience provided a wonderful experience that I deeply miss. I know these theaters will open their doors again. Still, in the meantime, l am going to get my memory ticket punched and head back in time to reflect on those amazing musical performances.

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Holiday Movie Rewatch of “Anna and the Apocalypse”

Holiday Movie Rewatch of “Anna and the Apocalypse”

Anna: On Dasher, on Dancer on… the other ones? / John: Firebolt? No… that’s Harry Potter’s broom. / Anna: Oh no. We can’t hang out anymore. You’re too sad. You’ve hit like, peak sad. / John: They were a very popular series of books.”

– Ella Hunt (Anna) & Malcolm Cumming (John) in Anna and the Apocalypse

‘‘Twas” two days “before Christmas, when all through the house, not a creature was stirring,” except the groans of zombies on the television. On TV is not Scrooged, Muppets Christmas Carol, or A Christmas Story, instead a holiday horror film with singing teenagers battling zombies. Is Anna and the Apocalypse a perfect Christmas movie? Hardly. Is it more a Christmas movie than Die Hard? Possibly. Is it a fun film with great music, quick comedy, and a fabulous way to stay goodbye to 2020 and hello to 2021? F*** Yes!

I think it was in late November of 2018 when I awoke in the morning, made a cup of wicked excellent coffee, and sat scrolling around in my phone. As per usual, I scroll around on IMDb and see what movie news awaits me. Then, I saw it; A zombie/ horror/ comedy in the same idea as Shaun of the Dead, but as a holiday musical. All I could muster under my breathe was, “Holy Shit! I am all in.” I did a little research and found out that the film, hailing from Scotland, was getting worldwide distribution for the holiday season.

I immediately went to the AMC Theaters website, plugged in my zip code, clicked on the title of the film, and saw “available.” All I had to do at this point was to convince my wife, Corinne, to go and see it. That would be an easy sell since she loves going to the movies, ordering movie snacks, and seeing a Christmas/Holiday film. Sure, a festive film with zombies, but also a musical. As soon as she was awake, I made her coffee and told her about the film. Her response, “as long as there are popcorn and snow caps in my future, then… Yes!” I do not often go to the movies, but this film, I felt, had all the ingredients of a one I wanted to see. Music, zombies, a badass heroine, some UK humor; how could it be bad? So, buckle up, as Corinne and I rewatch and discuss one of the best holiday/ horror/ comedy/ musical films, Anna and the Apocalypse.

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