“Hello. My name is Inigo Montoya. You killed my father. Prepare to die.”– Mandy Patinkin (Inigo Montoya) in The Princess Bride
While living in Honolulu in 2012, the Consolidated Theaters in Ward Entertainment Center hosted a Throwback Thursday event where they showcased a classic film each Thursday night. One week was Jaws, and another was Pulp Fiction, and so on. As you might imagine, I was curious which film they would show next. An opportunity to see a movie in the theater I never had the chance to see when it originally premiered was an opportunity I welcomed. Every month, the theater unveiled its schedule for each Throwback Thursday, but I was rarely motivated by the selections. It’s not that those they showcased didn’t deserve the “throwback attention.” Of course, each film did!
Several months into the event, the theater announced a movie I was eager to see. The scheduled film included themes of true love, inconceivable moments, fire swamps, miracles, pirates, and revenge. The Princess Bride is one of my all-time favorite films. Sure, I have spoken of nostalgic films and use these terms liberally, but while countless movies have provided me joy, there is no film like The Princess Bride. But it premiered when I was too young, so I never saw it in a theater, only on VHS. When I asked my wife if she would join me to see The Princess Bride, she said, “sure, I have never seen it anyhow.”
In shock I quickly bought tickets and remedied one of the biggest surprises of our relationship. My wife had never seen The Princess Bride. Somehow, I had missed this terrible truth. At the beautiful theater in Honolulu, I finally watched a beloved film on a screen far larger than my family’s television of 19 inches in the early ‘90s. So, let me rewind the VHS, press start over on my Disney+ account, and scan your ticket to a conversation about a movie that made masks cool, rotten miracles acceptable, and other narrated films bend the knee. We are “stormin’ da” castle… The Princess Bride.
“Okay, listen up. Our target is Tama Riyadi. I’m sure most of you know who I’m talking about. This man has become something of a legend in the underworld… I don’t care how big he is or who is behind him, he must be stopped. That enterprising f**k’s been renting out rooms like it’s an apartment, to any low-life piece of sh*t looking to keep his head down. Our mission is simple: we go in, and we take him out!”– Joe Taslim (Jaka) in The Raid: Redemption (2011)
Today I am posting about a recent movie rewind with my brother Jeff. A rewatch of one of, if not the best, action films I have ever watched; The Raid: Redemption. It’s funny; in 2014, my brother called me and told me he had a movie for me to watch. It was a foreign language film from Indonesia, and he explained the premise of the film thoroughly and succinctly. It sounded good, but I decided to hold off on watching it. In the summer of 2017, I finally sat down and watched it. Oh my, I was both amazed, transfixed, and shocked by the viewing experience. The movie was fantastic. I quickly called my brother, provided my deepest apologies for not watching it sooner, and owned the fact that my older brother was, in the end, correct about suggesting this film.
A few years after my first viewing, and leaning into the weekly movie chats my brother and I have engaged in since the pandemic’s start, I asked Jeff to do The Raid rewatch. He, of course, said yes. As I am sure you are well aware, I do not do standard film reviews. I do, however, like to reflect on specific films or genres of film or some aspects of the cinematic experience. I often discuss those films with a story, an event that initiates a need or wish, to explore those films again. I welcome any opportunity to relive or recall a specific film’s viewing experience. I did that with Trollhunter in October and Anna and the Apocalypse in December. Today, I do that with The Raid: Redemption. As film critic Chase Whale said, “My only complaint about The Raid is that it ended.”
“I have to believe in a world outside my own mind. I have to believe that my actions still have meaning, even if I can’t remember them. I have to believe that when my eyes are closed, the world’s still there…We all need mirrors to remind ourselves who we are. I’m no different.”– Guy Pearce (Leonard Shelby) in Memento
When one cannot travel, but one loves to travel and must remain at home socially distancing, what are they to do? When Massachusetts went into lockdown in early April, I decided to find some creative ways to see family without being able to be with them. It would require ZOOM, borrowing the format of one of my favorite podcasts, and rewatching one movie a week.
My brother Jeff told me to listen to Bill Simmons’ The Ringer’s The Rewatchables. It is a brilliant idea of a podcast for someone who grew up in the 80s and 90s watching television shows and movies, some not so appropriate. But the podcast, which is incredibly popular and probably does not need an overview, has several individuals talking about “rewatchable” movies and creating categories and awarding winners of some of these groupings. Simple but fantastic.